Wossname -- March 2015 -- Main issue --Remembering Sir Terry Pratchett

[News and reviews about the works of Sir Terry Pratchett]

Wossname
Newsletter of the Klatchian Foreign Legion
March 2015 (Volume 18, Issue 3, Post 3)

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WOSSNAME is a free publication offering news, reviews, and all the other 
stuff-that-fits pertaining to the works and activities of Sir Terry 
Pratchett. Originally founded by the late, great Joe Schaumburger for 
members of the worldwide Klatchian Foreign Legion and its affiliates, 
including the North American Discworld Society and other continental 
groups, Wossname is now for Discworld and Pratchett fans everywhere in 
Roundworld.
********************************************************************

Editor in Chief: Annie Mac
News Editor: Vera P
Newshounds: Mogg, Sir J of Croydon Below, the Shadow, Wolfiekins
Staff Writers: Asti, Pitt the Elder, Evil Steven Dread, Mrs Wynn-Jones
Staff Technomancers: Jason Parlevliet, Archchancellor Neil, DJ Helpful
Book Reviews: Annie Mac, Drusilla D'Afanguin, Your Name Here
Puzzle Editor: Tiff (still out there somewhere)
Bard in Residence: Weird Alice Lancrevic
Emergency Staff: Steven D'Aprano, Jason Parlevliet
World Membership Director: Steven D'Aprano (in his copious spare time)

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INDEX:

01) EDITOR'S LETTER: REMEMBERING SIR TERRY PRATCHETT
02) SOME SELECTED QUOTES
03) HOW THE WORLD TOLD US THE NEWS
04) SOME SELECTED TRIBUTES
05) MY FATHER, BY RHIANNA PRATCHETT
06) SENDING HOME: IMMORTALITY VIA ROUNDWORLD'S CLACKS
07) DONATIONS TO RICE CENTRE
08) SOME SELECTED IMAGES
09) CLOSE

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01) A LETTER FROM YOUR EDITOR

Dear Readers,

After almost five days of reading, gathering and compositing to the best 
of my ability other people's words about the untimely death of Sir Terry 
Pratchett, I find I am at a loss to add my own yet. There will be a 
second March issue at the end of the month; but for now, speaking for 
Wossname, I present the words and thoughts and images of the world's 
reaction to the passing of one of the greatest writers – and greatest 
humanists – our roundish world has ever seen.

Here is an image, by Farlander, that perhaps says it best:

https://pbs.twimg.com/media/B_9ymNUWgAAKdHh.jpg

Another image, by Sandara, beautiful if more sombre:

http://bit.ly/1NUiPNV

Here is the official Terry Pratchett Facebook page, with tributes:

https://www.facebook.com/pratchett/posts/10152645359765025:0

Here is a list of programmes, as BBC Radio 4 remembers the man and author:

http://www.bbc.co.uk/programmes/p02ltvn2

Wossname's special thanks go to Lynsey Dalladay aka Lynsey from 
Transworld, for organising the Just Giving fundraising page for RICE in 
Sir Pterry's honour:

https://www.justgiving.com/Terry-Pratchett/  (see item 7 for more details)

To you, the fans who supported his work and spread his name with so much 
passion: he belonged to you once. He belongs to the world now. You made 
that possible.

– Annie Mac, Editor

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

02) THE QUOTES

"Many thanks for all the kind words about my dad. Those last few tweets 
were sent with shaking hands and tear-filled eyes."
– Rhianna Pratchett

"There was nobody like him. I was fortunate to have written a book with 
him, when we were younger, which taught me so much."
– Neil Gaiman

"No writer in my lifetime has given me as much pleasure and happiness. 
He could do knockabout for schoolboys (and girls) but he was also subtle 
and wise and very funny in the adult world. I loved him because almost 
all the characters he didn't like slowly grew more real, more 
interesting, more complicated perhaps to his own surprise. He could 
write evil if he needed to, but if he didn't his characters surprised us 
and him. His prose was layered: there was a mischievous surface, and a 
layer of complicated running jokes, and something steely and 
uncompromising that turned the reader cold from time to time. He was my 
unlikely hero, and saved me from disaster more than once by making me 
laugh and making me think."
– A S Byatt

"It was a lot of fun to be around him. His skewed view of the world was 
there in everything. He was always looking at things in a different way, 
like a cracked mirror perspective."
– Stephen Briggs

"His creativity bought so much inspiration and joy to so many of us. It 
was an honour and privilege to work with him and I owe him a great debt 
of gratitude. May he rest in peace."
– Paul Kidby

"Terry was a class of his own in so many ways; other people will write 
about his wisdom and his skills as an author. I remember his kindness to 
his fans. No letters went unanswered and every person in a bookshop 
signing queue got his full attention even if he and they had been there 
for many hours."
– Bernard Pearson

"There is nothing spiteful, nothing bitter or sarcastic in his humour. 
But he was also very shy, and happiest with his family. Everybody who 
reads his work would agree Death was one of his finest creations – Terry 
in some way has now shaken hands with one of his greatest-ever creations."
– Philip Pullman

"Sir Terry's final tweet reads simply: 'The End.' But, undoubtedly, he 
will live on for a very long time through his writing."
– The Independent

"He took a despised literary form and made it dance. His legions of fans 
will miss him – but at least they have the Discworld he left behind... 
By the time he had finished with Discworld, it was clear that a fantasy 
universe could be used to write with echoing profundity about love, 
death, religion, duty, opera, politics, and – above all – decency."
– Andrew Brown, in The Guardian

"During the many times Terry supported Alzheimer's Society, publicly and 
privately, I was struck by his passion, resilience and courage to fight 
and kill the demon of dementia. When thanked for his work, he'd simply 
smile and shake his head modestly, insisting it was nothing. Never 
dwelling on his own dementia, he used his voice to shout out for others 
when they could not."
– Jeremy Hughes, chief executive of Alzheimer's Research UK

"When he talked about writing and work he was very lucid but as soon as 
you mentioned ordinary things like a cup of tea there was confusion. If 
he talked about writing or developing his characters his brain seemed to 
go to another place. It was bittersweet but also joyous that we did the 
Wintersmith album while Terry was cognisant of it."
– Julian Littman of Steeleye Span, who worked with Sir Terry on the 
Wintersmith album

"He is survived by Granny Weatherwax, Nanny Ogg, Mort, Death, Death of 
Rats, Commander Vimes, the Librarian, Cohen the Barbarian, Rincewind the 
Wizard, the Luggage, and hundreds of other unforgettable characters, 
whose adventures will continue to delight and surprise readers all over 
the world for many years to come."
–  George RR Martin

"Terry had a tremendous gift of giving life to stories of great wonder, 
richness, humanity and warmth, for which many people all over the world 
will remember him. He had a great heart as well. Joy, suffering, 
happiness, the whole of the human experience: his stories captured all 
of this and much besides with good humour, and he turned these same 
talents to providing for a better future for generations to come, 
through his steadfast work to promote Humanism and a compassionate 
assisted dying law."
– Andrew Copson, chief executive of the British Humanist Association

"Ostensibly, Pratchett dealt in fantasy, but in the same way that the 
London Symphony Orchestra could be considered to 'do a bit of music'. 
His gift was to weave together parody, satire and adventure and reinvent 
them in sublime ways."
– journalist Kat Brown, in The Telegraph

"I am glad to hear that Terry died peacefully. I do not know if he was 
listening to Thomas Tallis, as he had so often described as his favoured 
way to go. However the reality is that without an assisted dying law 
there is no peace of mind for people when approaching their own death. 
There is no choice, there is no control and there is no compassion."
– Dignity in Dying patron Lesley Close

"Though he may not release any more novels, nor provide smart quips in 
interviews and thoughtful banter at conventions, Death cannot truly take 
Terry Pratchett from the world. His influence has gone too deep, his 
words have spread too far, and the things he most believed in — 
laughter, bravery, community — are the very things he's left in our care."
– Jess Waters, a student at Emerson College

"I learnt more from your books than my entire education. Thank you, Sir 
Terry."
– Tom, donor to RICE on Pterry's memorial Just Giving page, 12th March 2015

"I'm thinking we get some kittens, and then propose Death a trade."
– Ole Ulloriaq Lonberg-Jensen, on the Reinstate Terry Pratchett petition 
at change.org

...and a few words from The Author himself:

"'I know about Sending Home,' said Princess. 'And I know the souls of 
dead linesmen stay on the Trunk.'"

"'His name is in the code, in the wind in the rigging and the shutters. 
Haven't you ever heard the saying "A man's not dead while his name is 
still spoken"?'"
– Going Postal

"In the Ramtops village where they dance the real Morris dance, for 
example, no one is finally dead until the ripples they cause in the 
world die away – until the clock he wound up winds down, until the wine 
she made has finished its ferment, until the crop they planted is 
harvested. The span of someone's life, they say, is only the core of 
their actual existence."
– Reaper Man

"'We dinnae mourn like ye do, ye ken. We mourn for them that has tae 
stay behind.''
–The Wee Free Men


Additionally, BBC America offers a collection of "30 Terry Pratchett 
quotes to guide you through life". You probably know most (or all) of 
them, but it's handy to have them in one place: http://bbc.in/1HO1G4d

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

03) HOW THE WORLD BROKE THE NEWS

The announcement on PJSM Prints:

It is with immeasurable sadness that we announce that author Sir Terry 
Pratchett has died at the age of 66.

"Larry Finlay, MD at Transworld Publishers:

"'I was deeply saddened to learn that Sir Terry Pratchett has died. The 
world has lost one of its brightest, sharpest minds. In over 70 books, 
Terry enriched the planet like few before him. As all who read him know, 
Discworld was his vehicle to satirize this world: he did so brilliantly, 
with great skill, enormous humour and constant invention. Terry faced 
his Alzheimer's disease (an "embuggerance", as he called it) publicly 
and bravely. Over the last few years, it was his writing that sustained 
him. His legacy will endure for decades to come. My sympathies go out to 
Terry's wife Lyn, their daughter Rhianna, to his close friend Rob 
Wilkins, and to all closest to him.'

"Terry passed away in his home, with his cat sleeping on his bed 
surrounded by his family on 12th March 2015. Diagnosed with PCA1 in 
2007, he battled the progressive disease with his trademark 
determination and creativity, and continued to write. He completed his 
last book, a new Discworld novel, in the summer of 2014, before 
succumbing to the final stages of the disease.

"We ask that the family are left undisturbed at this distressing time."

http://www.pjsmprints.com/


...and from Bernard Pearson, the Cunning Artificer:

"Today our deepest sympathy is with Lyn and Rhianna Pratchett and also 
with Terry's amanuensis and friend Rob Wilkins.
I once said to Terry 'There are no pockets in a shroud'. We had been 
talking about him buying a new car and I said he could afford a 
Rolls-Royce if he wanted to but he was never a man for ostentation and 
thought he might look at a Jag. 'Anyway', he replied 'It depends who 
your tailor is, I'm having bloody great big ones in mine.' I'm writing 
this because right now I could find out if that were true.

"I have known Terry since 1990 when we met in a bar in Covent Garden to 
discuss the idea of me creating small sculptures from the characters in 
his books. We found common ground in his days as a journalist and my 
days as a policeman and we became friends. Over the years we spent a lot 
of time together not just at the many gatherings at the Discworld 
Emporium in Wincanton and at conventions all over the world but also for 
family celebrations at Christmas or New Year, birthdays and wedding 
anniversaries, lunch at the pub or bacon sandwiches round our dining 
room table. Every occasion enlivened by his quickness of mind, his 
encyclopaedic knowledge and most of all by his humour.

"He was not always easy to be with; he didn't suffer fools gladly and 
with his command of the English language a blast from him was something 
that this 'silly old fool' certainly would remember for quite a while. I 
have been bollocked by the best in my time but dear old Terry was in a 
class of his own.

"Terry was a class of his own in so many ways; other people will write 
about his wisdom and his skills as an author. I remember his kindness to 
his fans. No letters went unanswered and every person in a bookshop 
signing queue got his full attention even if he and they had been there 
for many hours.

"He enjoyed spending time with his readers – he would say they worked 
hard to earn the money to buy his books and therefore he owed them. He 
also genuinely enjoyed their company.

"We were privileged to co-author or as he put it 'aid and abet' him in 
one or two books. It was a revelation the way he could sprinkle stardust 
on a sentence and make it shine or take the germ of an idea, hold it up 
to the light, and within minutes polish it into something original, 
clever and very funny. We shall miss his many phone calls requesting 
information about police procedure, and latterly the location of a 
particular town, or the landscape of a train journey.

"We shall miss him.

"Bernard Pearson, on behalf of us all at the Emporium."

www.discworldemporium.com/a%20message%20from%20the%20heart


On the BBC news website:

"Despite campaigning for assisted suicide after his diagnosis, Sir 
Terry's publishers said he did not take his own life.
BBC News correspondent Nick Higham said: 'I was told by the publishers 
his death was entirely natural and unassisted, even though he had said 
in the past he wanted to go at a time of his own choosing.'..."

http://www.bbc.com/news/entertainment-arts-31858156

...and the BBC's full obituary:

"Terry Pratchett proved that it was possible for a world to be flat. He 
first created Discworld in 1983 because he wanted to 'have fun with some 
of the cliches' of fantasy novels. Pratchett's whimsical writings 
endeared him to millions of avid fans across the world. But in later 
years he fought a much-publicised battle against Alzheimer's disease...

"His breakthrough came in 1968. While interviewing a publisher, Peter 
Bander van Duren, he casually mentioned he had been working on a 
manuscript. Van Duren and his business partner Colin Smythe read the 
draft and The Carpet People was published in 1971. According to Smythe, 
the book received few reviews, but they were ecstatic, with one 
describing it as 'of quite extraordinary quality'. Pratchett followed 
this up with his only two purely science-fiction novels, The Dark Side 
of the Sun, published in 1976, and Strata five years later. The latter 
work introduced the concept of a flat world, something that would 
surface again in Pratchett's most popular series of novels. 'Nothing in 
the universe is "natural" in the strict sense of the term,"' Pratchett 
said of Strata. 'Everything, from planets to stars, is a relic of 
previous races and civilisations.'

"His style of writing was nothing if not eccentric. He avoided chapters 
where possible, on the basis that they broke up the narrative, and 
peppered his text with footnotes. Pratchett also used punctuation as a 
source of humour. His character Death always conversed in capital 
letters while the auditors of reality eschewed quotation marks. He drew 
heavily on real people for many of his characters. Leonardo da Vinci, 
for example, became the painter and engineer Leonard of Quirm. Many of 
his works were adapted for the stage and animated versions of some of 
his children's stories, including Truckers, have appeared on TV. He 
fought a running battle against critics who said fantasy could never be 
considered as literature. 'Stories of imagination,' he said witheringly, 
'tend to upset those without one.'

"Away from writing he maintained an interest in astronomy and natural 
history. He became a campaigner to promote the conservation of the 
orangutan and the librarian in Pratchett's Unseen University found being 
the shape of an orangutan ideal for his work..."

www.bbc.com/news/entertainment-arts-25401679

In The Guardian:

"The announcement of his death unleashed a tide of sympathy from around 
the world. David Cameron tweeted: 'Sad to hear of Sir Terry Pratchett's 
death, his books fired the imagination of millions and he fearlessly 
campaigned for dementia awareness.' The author Neil Gaiman, a friend and 
collaborator, tweeted: 'I will miss you, Terry, so much.'... The 
characters of his fantastical creation, Discworld, inhabit a world held 
up by four elephants balanced on the back of a giant turtle. It is a 
world peopled by incompetent wizards, upside-down mountains, slow-witted 
barbarians and a wry incarnation of Death. Begun as a cheerful parody of 
fantasy authors from JRR Tolkien to Ursula K Le Guin, Pratchett's 
ambitions gradually expanded to encompass life, death and humanity's 
place in the universe – though the jokes kept coming..."

http://bit.ly/1C92UH2

...and the Guardian's full obituary, by Christopher Priest:

"BEING DEAD IS NOT COMPULSORY. NOT IF YOU DON'T WANT TO. These are the 
words of Death, one of Terry Pratchett's ingenious comic creations in 
his Discworld novels. Death has a booming, unamused voice (always in 
capitals, never in quotation marks), and is the permanent straight man 
in the comic chaos around him. He goes about his morbid business on a 
horse called Binky, whose hooves throw up sparks on every street cobble. 
Death is a skeleton, with eyes like two tiny blue stars set deep within 
the sockets. He wears a black cloak, carries a scythe and, at the end of 
a day's work, loves to murder a curry. At the point of contact with his 
latest client, he usually spends a few moments having a courteous word 
or two with the recently deceased, until they fade away. Now Death has 
gained a most illustrious client, for Pratchett himself has died, aged 
66, after suffering from early-onset Alzheimer's disease. The exchange 
is no doubt unamused but courteous on one side, amusing but rueful on 
the other, but of fervent interest to both parties. It's a conversation 
that millions of Pratchett fans would ache to overhear. Would Death dare 
to speak in capitals to Sir Terry Pratchett?

"Pratchett was, and will remain, one of the most popular British authors 
of all time. In the modern age, only the career of JK Rowling, creator 
of Harry Potter, is comparable. The facts of Pratchett's success are 
impressive: the sheer number of books he has sold (some 80m copies 
worldwide), and the number of reprints, translations, dramatisations on 
television and stage, audio versions and spin-offs, plus awards and 
honorary doctorates galore. Then there's an inestimable amount of 
Discworld spinoffery: chess pieces, wizardly hats, cloaks and T-shirts, 
leathern bags, pottery figurines, fantastic artwork, magic clobber of 
every kind including dribbly candles – all made by and sold to fans. His 
signings at bookshops were legendary: a queue stretching down the street 
was de rigueur, and although Pratchett worked quickly at the signatures, 
he was unfailingly friendly to everyone who turned up. He was open to 
readers: he answered emails (or some of them, because the volume of 
incoming messages was spectacular) and he went to Discworld conventions 
(almost all of them). He was a nice man, unpretentious and with a wry 
manner...

"Pratchett's first fantasy book was The Carpet People, written when he 
was 18; he rewrote it 30 years later, having revised and reversed his 
ideas about the importance of kings and wars. It was originally 
published in 1971 by a local publisher, Colin Smythe Ltd, based in 
Gerrards Cross. Smythe published the next two or three novels, licensing 
other editions in British paperback and in the US, but as Pratchett's 
popularity grew it became clear to everyone that a larger publisher 
would be better equipped to promote his books. Smythe stepped aside as 
publisher and became Pratchett's agent instead. Thereafter, hardbacks 
appeared from large publishers, beginning with Gollancz...

"In a publishing world where popular success often equates to 
ill-written or hackneyed work, Pratchett's novels, although in a racy, 
readable style, were constantly witty, with many cultural, vernacular 
and literary references. You never quite knew where the next association 
was coming from: you would find sideways references to HP Lovecraft, 
William Shakespeare, Beachcomber, Sellar and Yeatman, Thomas Hughes, 
Peter Shaffer (a good joke about Salieri), JRR Tolkien, Egyptology, 
vampirism, dragons... The humour of the novels was likable and liked: 
most of Pratchett's books sold on word of mouth, and the many 
conventions thrown in his honour were happy occasions. He gave his 
readers memorable hours of talks, interviews and jokes... His last years 
were astonishingly active. He continued to write fiction, learning to 
dictate rather than type, and a last Discworld novel was completed and 
delivered last summer..."

http://www.theguardian.com/books/2015/mar/12/terry-pratchett

In The Independent:

"As soon as news broke of his death broke on Thursday afternoon, his 
website crashed under the weight of fans wanting to remember the 
writer... A JustGiving page has been set up in his name, which aims to 
raise money for the Research Institute for the Care of Older People..."

http://ind.pn/1DmiqAI

In The Telegraph:

"The author had succumbed to a chest infection earlier this year, which 
gradually worsened. He passed away on March 12th.
He finished his final book, a new Discworld novel, in the summer of 2014 
before entering the final stages of Alzheimer's... Sir Terry, who wrote 
more than 70 best-selling novels, had waged a very public struggle with 
Alzheimer's disease in recent years. He was diagnosed with posterior 
cortical atrophy (PCA), a progressive degenerative condition involving 
the loss and dysfunction of brain cells, in 2007 and continued writing, 
broadcasting and meeting his fans. After losing the ability to touch 
type in 2012, he used voice-recognition technology to complete his 
much-loved new works. He went on to become one of the most prominent and 
influential voices in the campaign for research into the disease, and 
was a patron of Alzheimers Research UK. When asked about his career in 
May 2014, he said: 'It is possible to live well with dementia and write 
best-sellers 'like wot I do.'

"Hilary Evans, director of Alzheimer's Research UK, said: 'The loss of 
Sir Terry Pratchett will have a profound effect on both literature and 
the 850,000 people who live with dementia. Sir Terry's uniquely witty 
and affecting announcement of his diagnosis with Alzheimer's at our 2008 
conference will be seen as a watershed moment for all people living with 
dementia. It engendered huge public awareness of Alzheimer's and issued 
a call to arms for society to talk about dementia and take steps towards 
defeating it. We will miss him.'..."

http://bit.ly/1BFWygu

...and the Telegraph's full obituary:

"His appeal was solidly based on well-crafted prose, imaginative 
situations, economically phrased humour and well-observed characters . 
With his knack for choice similes – Death himself, a recurring 
character, speaks with 'a voice like the slamming of coffins' lids', 
rendered entirely in capital letters – his style appealed equally to 
young and adult readers; and his use of a fully realised alternative 
world made it possible for him to tackle a wide range of contemporary 
topics and issues without forfeiting his essential lightness of touch. 
Ironically, it was Pratchett's ground-breaking achievement in making 
comic fantasy acceptable to the mainstream reader that allowed J K 
Rowling to usurp his place as the most widely read living British writer...

"Terry attended High Wycombe Technical High School, which he chose in 
preference to the local grammar school because 'woodwork would be more 
fun than Latin'. He was, by his own admission, a 'nondescript' student; 
the most significant event in his school career was probably the 
publication of his short story The Hades Business in the school magazine 
when he was 13 (two years later he sold it commercially, and used the 
proceeds to buy his first typewriter)...

"He enjoyed walking; that aside, his activities were mostly connected 
with or ancillary to his work. He took an interest in computers and 
played computer games (from which he drew the inspiration for his 
children's novel, Only You Can Save Mankind); he eagerly participated in 
many online newsgroups and discussion groups frequented by his fans, to 
whom he always tried to be as accessible as reasonably possible, for a 
writer with such a large and often fanatical readership. He also 
maintained his childhood interest in astronomy, at one point building an 
observatory in the grounds of his Wiltshire house, and collected 
carnivorous plants...

"Around the turn of the millennium, Pratchett's work began to display a 
change of direction. The rate of production dropped from two books a 
year to one. The books themselves became darker, more thoughtful and 
more complex. In his earlier work, the plot was often a loose framework 
for gags and comic set pieces, the characters frequently little more 
than mouthpieces for the jokes. Nightwatch (2002) and Monstrous Regiment 
(2003), by contrast, are meticulously structured, with the comedy 
arising organically out of the interaction of situation and character. 
This progression was partly a natural consequence of the coral-reef 
development of the Discworld itself. A minor character in one book would 
become a central player in another; a passing joke would grow into a 
substantial theme. In consequence, as the texture of Discworld became 
richer, it enabled Pratchett to write more ambitiously. The comedy never 
waned, nor was it ever entirely subordinated to a serious purpose; but 
the books began to achieve objectives other than the maximum number of 
jokes per page...

"Pratchett was often compared to Swift, but the comparison does him no 
favours. He was not a satirist. Closer to Wodehouse than Waugh, he 
preferred to create a self-contained world in which he could dictate 
everything from the laws of physics to the number of colours in the 
spectrum (eight), with human nature the only factor outside his control. 
Although Discworld served to hold a distorting mirror up to the world in 
which his readers lived, satire was a by-product and a means to an end, 
rather than the object of the exercise..."

http://bit.ly/19mH8on

In the Daily Mail:

"The comic universe he created in Discworld – a flat disc balanced on 
the backs of four elephants standing on the back of a giant turtle – 
made millions laugh and made them think as well. His sense of fun made 
him stand out in the often po-faced world of fantasy literature - he 
would turn up at conventions wearing a T-shirt saying: 'Tolkien's dead, 
JK Rowling said no, Philip Pullman couldn't make it. Hi. I'm Terry 
Pratchett.' Towards the end of his life, he used his fame and wealth to 
campaign for a greater awareness of dementia and assisted dying... 
Hilary Evans, director of Alzheimer's Research UK, said the death of Sir 
Terry would have 'a profound effect on both literature and the 850,000 
people who live with dementia'..."

http://dailym.ai/1BFWGfS

An obituary by David Colker in the Los Angeles Times:

"Pratchett won a 2008 Los Angeles Times Book Prize for his young adult 
novel, "Nation," which takes place on a mythical South Seas island in 
the 19th century. The plot revolves around an island-born boy and 
shipwrecked girl, from very different cultures, trying to survive a 
natural disaster. He accepted the award in a videotaped message from a 
slightly disheveled, book-filled office with a large cat perched on the 
desk. 'It was like being shackled by one leg to a bulldozer,' the 
white-bearded Pratchett said about writing the novel as the 
scene-stealing cat looked ready to pounce. 'It just bound its way across 
the landscape, but it was up to me to keep up with it and bang my head 
on the trees as we rode across.' Though 'Nation' was aimed at young 
adults, the Guardian in London said the book 'has profound, subtle and 
original things to say about the interplay between tradition and 
knowledge, faith and questioning.'

"With his books regularly hitting the top of best-seller lists in 
England, Pratchett was likely that country's most popular novelist until 
the arrival of J.K. Rowling's 'Harry Potter' tales in the 1990s. He took 
Rowling's rise with customary humor, wearing a T-shirt to fan 
conventions that read, 'Tolkien's Dead, J.K. Rowling said no,' and then 
in small letters, 'Hi, I'm Terry Pratchett.'...

"In the years after his diagnosis, Pratchett spoke openly of his 
condition and supported not only Alzheimer's but also right-to-die 
causes. But his character Death doesn't appear in his last published 
book, 'Raising Steam.' 'It's not deliberate,' he told the Telegraph in 
2013 with a laugh, 'but I don't want to be a death fetishist.'..."

http://lat.ms/1ba6OFi

A knowing and loving obituary by Bruce Weber in the New York Times:

"An accomplished satirist with a penchant for sending up cultural and 
political tomfoolery, Mr. Pratchett created wildly imaginative 
alternative realities to reflect on a world more familiar to readers as 
actual reality. Often spiced with shrewd and sometimes wryly stinging 
references to literary genres, from fairy tales to Elizabethan drama, 
his books have sold 85 million copies worldwide, according to his 
publisher. And though Mr. Pratchett may have suffered from the general 
indifference of literary critics to the fantasy genre, on the occasions 
when serious minds took his work seriously, they tended to validate his 
legitimate literary standing... Mr. Pratchett often wrote with eyebrow 
arched and tongue planted firmly in cheek; in the behavior of his 
mythical creatures it was hard to miss the barbs being tossed in the 
direction of humanity..."

http://nyti.ms/1F5o21t

 From Reuters:

"News about the death of Pratchett – who campaigned during his final 
illness for legalizing assisted death – came on his Twitter account in a 
series of tweets written in the style of his Discworld novels, where 
Death always talks in capital letters. 'AT LAST, SIR TERRY, WE MUST WALK 
TOGETHER,' said the first tweet on @terryandrob. 'Terry took Death's arm 
and followed him through the doors and on to the black desert under the 
endless night,' said the second, while a third read simply: 'The End'... 
A unique creation, Discworld is a circular world set on the backs of 
four elephants standing on the shell of a giant turtle, populated by a 
vast and colorful cast of characters inspired by the worlds of fantasy, 
folk tales and mythology. Pratchett used Discworld to parody those 
genres, but also to send up aspects of modern life by drawing often 
incongruous connections between his imaginary world and things ordinary 
people living in 20th century Britain would recognize..."

http://reut.rs/1MBNi1N

 From the Continent of Fourecks, a combination announcement and obituary 
in the Sydney Morning Herald:

"Fantasy writer Terry Pratchett, creator of the Discworld series and 
author of more than 70 books, has died. He was 66.
Pratchett, who suffered from a rare form of early onset Alzheimer's 
disease, had earned wide respect in Britain and beyond with his 
dignified campaign for the right of critically ill patients to choose 
assisted suicide... Wheeler Centre director Michael Williams, who hosted 
Pratchett on what would become his last tour of Australia in 2011, 
remembers him as a likeable and fiercely intelligent man. 'I've been a 
fan of his for many years and I was lucky enough to interview him. He 
was very witty and very wise and endlessly curious. The conversation 
would spark off in a million different directions.' Peter Nicholls, an 
Australian expert on science fiction, author of the Science Fiction 
Encyclopedia was a friend of Pratchett. 'It's a difficult think to talk 
about Terry because he's been a pretty mysterious character,' he said.

"The author disclosed his condition in 2007. His doctors at first 
believed he had suffered a stroke, but found him to have an unusual form 
of Alzheimer's disease. He tried to be optimistic with his millions of 
fans, assuring them on his website that the condition didn't seem to be 
immediately life-threatening. As he lost the ability to write on a 
computer, he turned to a dictation system that allowed him to keep 
producing fictional works, his agent Colin Smythe said. 'It may have 
changed his prose style slightly,' Smythe said. 'The real problem is the 
difficulty of revising it.'

"Pratchett didn't shy away from the emotional public debate about 
assisted suicide. He used the prestigious Richard Dimbleby lecture in 
February 2010 to argue the logic of allowing people to end their lives 
at a time they chose. He said assisted suicide should be decriminalised 
and that suicide panels should be set up to judge cases, and offered his 
own case as an example. In the lecture, Pratchett said there was no 
reason to believe a cure for his disease was imminent. He said he could 
live his remaining years more fully if he knew he would be allowed to 
end his life before the disease claimed him..."

http://bit.ly/1MCgns5

...and a marvellous obituary-cum-tribute by Kieron Gillen, "Why We Need 
Terry Pratchett's Brand of Moral Outrage", on Vulture.com:

"As I write this, my brother talks about his dyslexia and how Pratchett 
made him want to read even when his brain didn't. I think earlier, and 
think of a teacher friend of mine who talked about the sheer number of 
children she taught who were brought into books by Pratchett. This 
reminds me how I was involved in a conversation earlier that compared 
him to Dickens, which struck me as correct. Massively popular writing 
powered by a strong sense of the pains of society. And then Pratchett 
added jokes, which makes him a dream mash-up of Dickens and Wodehouse, 
with a healthy sprinkling of genre just to ensure he got right up the 
right noses. ('A complete amateur ... doesn't even write in chapters,' 
as the Late Review once said, the quote that was proudly printed at the 
front of a string of Pratchett books. The best revenge is always funny.)...

"The jokes, the wordplay, the sentences were the style. We came to 
Pratchett for the substance, what he said about people. Pratchett 
fundamentally understood fantasy as a device for emphasizing humanity 
rather than escaping from it. You use the fantasy to make the point more 
precise, more undeniable, easier to digest, and impossible to refute. We 
can see ourselves more clearly. As core character and general force of 
nature Granny Weatherwax once put it: 'Sin, young man, is when you treat 
people as things. Including yourself.' Despite the core moral compass, a 
sermon wasn't the point. This is moral rather than moralizing. When your 
core moral compass, as suggested above, is a militant empathy, then the 
characters have to embody that, even the villains — especially the 
villains. The one exception I can think of is his wicked deconstruction 
of all things elves in Lords and Ladies, and the attacking of the 
problematic core of the idea of 'higher people' was very much the point. 
By way of example, despite the fact that Pratchett was an atheist, Small 
Gods manages to brutally satirize religion while having at its core a 
sympathetic portrait of a prophet of a god in the body of a tortoise. 
Pratchett may not have believed, but he understood why people did. Both 
the practicing Catholic who first read it and the atheist who is writing 
this think it's his best book, and if you've yet to read any Pratchett, 
Small Gods is where to begin.

"I made a typo in that last paragraph, writing, 'Pratchett is an 
atheist.' I moved the cursor back and corrected it to 'was,' and the 
tears were in the eyes again..."

www.vulture.com/2015/03/terry-pratchett-kieron-gillen.html

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

04) SOME TRIBUTES

 From Stephen Briggs, via an interview in the Oxford Mail:

"Sir Terry wrote more than 70 novels and Mr Briggs recorded audiobooks 
as well as bringing dozens of them to the stage, including at the 
Unicorn Theatre in Abingdon. He said: 'For me it's been a wonderful time 
with Terry over the last 25 years. We became good friends. He was a 
lovely and supportive man. I saw him two weeks ago. I went down to his 
house and pottered in to see him, and he wasn't well then. He will leave 
a large gap in the world.' Mr Briggs, a member of the Headington-based 
Studio Theatre Club, said: 'I first wrote to him through amdram and 
asked if we could stage one of his books. We were the first in the world 
to stage any of his stuff. I owe him a huge debt of gratitude. It's a 
real privilege to be a part of creating even a small part of his 
wonderful world, and it's something which I never take for granted.'... 
He added he was planning to carry on adapting Sir Terry's work for 
future generations to enjoy."

http://bit.ly/1BFKEoc

A remembrance from Long Earth series co-author Stephen Baxter:

"Terry Pratchett and I started work on our science fiction series, The 
Long Earth, in the spring of 2010. It came out of a dinner-party 
conversation. We'd known each other for nearly 20 years, and talked 
about shared enthusiasms, the fiction, the science – which Terry called 
'the quantum'. Terry had always been a science fiction reader, and had 
produced two fine SF novels, but abandoned a third. Now he described 
that shelved idea and I could see why Terry had got stuck; his work was 
of character and dialogue, whereas this project was about landscapes and 
exploration. So we decided to try collaborating. We worked up ideas on 
the phone, and a Discworld convention that year turned into a kind of 
mass workshop. Terry always enjoyed engaging with the fans. He listened 
to them.

"In October 2010 we started working sessions at his home in Wiltshire. 
Terry's study is the chapel of an old monastic house, lined with dusty 
books and cluttered with Discworld souvenirs. Terry was always prolific, 
but as we worked he would be deliberate. He would sit in silence, or 
poke the fire in the stove, and think, and then produce an almost 
perfect sentence. As he drafted he liked to improvise. He said that if 
you gave him two characters talking in a room, the story would come. And 
as we worked we drilled deep into the heads of the characters, 
especially the young ones. I could see why his Tiffany Aching novels, 
meant for young adults, are so popular.

"But when we started work it was already a couple of years after his 
condition had been diagnosed [early-onset Alzheimer's]. His sight was 
the first to be affected, a cruel affliction for any writer. But Terry 
found workarounds. He used custom-built voice-recognition software to 
dictate his drafts, then revised them with the help of his supremely 
loyal business manager, Rob Wilkins. I read printed manuscripts to him, 
which we would amend line by line, sitting by the stove. As the core 
condition began to affect him, he needed more workarounds and 
assistance, and the work was interrupted by his commitments to the 
causes of dementia sufferers and right-to-die campaigns. But work was 
everything to Terry, after his family. If anything, he worked even harder.

"The last time I saw him was a sunny day last summer. We went into 
Salisbury for an author photograph by the cathedral. Even then he had 
new ideas for the books. What he liked about science fiction, I think, 
was the way it addresses the bigger picture. 'By the time we get to Book 
Five,' he said to me, 'will we find out what it's all about?'"

http://bit.ly/1NYrK0S

Cory Doctorow's very personal tribute:

"Terry Pratchett, a treasure of a writer, a gem of a human being, and a 
credit to our species, has died, far too soon, at the age of 66. 
Pratchett died at home, in bed, surrounded by his family and with his 
cat. He was diagnosed with early-onset Alzheimer's in 2007, and has 
since been a tireless advocate for the right to die with dignity, as 
well as a major donor to Alzheimer's research. Pratchett continued to 
produce brilliant books after his diagnosis, most recently the important 
Raising Steam, which, more than any of the other Discworld books, 
explored the intrinsic "magic" wrought by technology on its advocates, 
and worked through technology's discontents.

"I'm deeply saddened by Pratchett's death, even though I, like his other 
fans, had so long to get used to the idea that he would only be with us 
for a short time. The Discworld books are some of my truest friends. 
I've read many of them dozens of times, and always find new things to 
love in them. I interviewed Pratchett last year on the occasion of the 
reissue of his first novel, The Carpet People, which he wrote at the age 
of 17. He was gentlemanly and fascinating, something that many of his 
interlocutors and fans have noted, but as Neil Gaiman reminds us: the 
thing that kept Terry Pratchett going wasn't his sweet nature, it was 
his anger:

"There is a fury to Terry Pratchett's writing: it's the fury that was 
the engine that powered Discworld. It's also the anger at the headmaster 
who would decide that six-year-old Terry Pratchett would never be smart 
enough for the 11-plus; anger at pompous critics, and at those who think 
serious is the opposite of funny; anger at his early American publishers 
who could not bring his books out successfully. The anger is always 
there, an engine that drives. By the time Terry learned he had a rare, 
early onset form of Alzheimer's, the targets of his fury changed: he was 
angry with his brain and his genetics and, more than these, furious at a 
country that would not permit him (or others in a similarly intolerable 
situation) to choose the manner and the time of their passing.

"And that anger, it seems to me, is about Terry's underlying sense of 
what is fair and what is not. It is that sense of fairness that 
underlies Terry's work and his writing, and it's what drove him from 
school to journalism to the press office of the SouthWestern Electricity 
Board to the position of being one of the best-loved and bestselling 
writers in the world..."

http://boingboing.net/2015/03/12/rip-terry-pratchett.html

Andrew M Butler, author of the Unofficial Companion to the Novels of 
Terry Pratchett and co-editor of Terry Pratchett: Guilty of Literature, 
has written an obituary/appreciation for the Los Angeles Review of Books:

"While each new Pratchett book becomes a bestseller, the literary 
establishment has been less generous. There is a lazy assumption — most 
recently characterized by an episode of BBC Radio 4's A Good Read, in 
which veteran journalist Katherine Whitehorn's 'surprise choice' of 
reading recommendation was The Colour of Magic. The program's webpage 
asks, 'if three adult women [will] agree on a novel from a series 
usually thought of as the preserve of teenage boys.' They do — and 
positively — against their better judgment. Pratchett's background in 
fantasy counts against him — Tolkien, after all, is still patronized — 
and it is assumed that comic novels cannot also be serious. Alongside 
Pratchett's humor and humanity, there are condemnations of sexism, 
racism, xenophobia, and the misuse of power.... We are left with 
memories of his many appearances at conventions, the legendary queues 
for his autograph, his accumulated wisdom, and shelves full of books 
that will be read by people of all ages — male and female — for the 
foreseeable future."

http://bit.ly/1HTSrQf

A fine tribute from Guardian columnist Dean Burnett:

"I never got to meet him in person, much to my regret, and it may seem 
weird to feel strong and profound grief for someone you didn't really 
know, but it's very common. And it's surely to be more common in this 
case. Because if you've read all of his books (many repeatedly) it sort 
of feels like you know Pratchett on some deep intimate level.

"The fact that a brain like Pratchett's could be afflicted with early 
onset Alzheimer's just seemed too cruel a twist in what is supposedly a 
random universe. It's bad enough when it happens to anyone of course, 
but when it's to a mind and brain that I such a bountiful source of joy 
and entertainment, it was just a bit much to take seriously. It was so 
like something from one of his books that you may be forgiven for 
thinking it was an elaborate set up of some sort.

"But as is perhaps to be expected of an individual who made death into a 
relatable, even likable character in his books, Pratchett faced his 
condition head-on. He was never one for shying away from expressing his 
enthusiasm for science, producing several books on the subject where he 
combined it with his fantasy work with a gleeful disregard for whether 
or not this was 'the done thing'. This example was one of the things 
that inspired the comedic science approach adopted in these very 
blogposts, which is admittedly like a flickering candle next to the 
Pratchett floodlight, but still. And of course, science ended up taking 
on a direct relevance to his own life; following his campaigning and 
outspoken attitude to his condition probably did more for our 
understanding and study of early onset Alzheimer's disease as a dozen 
cutting edge studies. But awareness and understanding are only useful to 
an extent, and they weren't enough this time. Maybe one day they will 
be, and that day may come sooner thanks to Pratchett, who cheered and 
inspired so many, all while seemingly having a whale of a time doing 
what he loved..."

http://bit.ly/1DmjlBq

Another in The Guardian, by Andrew Brown:

"To say that a writer is interesting is normally a completely bullshit 
phrase, there to draw attention to the superior culture of the critic 
who can form such Parnassian judgments about what matters. But Terry 
Pratchett, who has died aged 66, was one of the most interesting writers 
of the past 30 years in an entirely literal sense. He interested 
readers. He captivated them, in fact. The captives wandered happily for 
years around Discworld and the other territories of his imagination. He 
was loved – not at all too strong a word – by his readers. He brought 
them, us, me, delight... By the time he had finished with Discworld, it 
was clear that a fantasy universe could be used to write with echoing 
profundity about love, death, religion, duty, opera, politics, and – 
above all – decency... I think of Pratchett as the most admirably 
English writer since Orwell. They make an unlikely pairing, and Orwell 
is the more sentimental of the two, but in both there is a rooted 
affection for the goodness of a world that is frequently awful and 
fundamentally absurd. But, see, Pratchett said, the world can be a 
wonderful place even if it is only turtles all the way down. Death will 
come, but he will have things to say, as well..."

http://bit.ly/1BzP9iR

And a third in The Guardian, a shortish tribute from fan Helen Lewis:

"No subject was too big for Terry Pratchett, who died on Thursday – once 
he'd found a way to make it ridiculous. He took on capitalism, religion, 
sexism, war, death and why you should never buy food from a man with a 
tray in the street. His books wore their learning lightly, sweeping the 
reader along on a river of bad puns, self-deprecating footnotes and 
weird scenarios constructed with impeccable internal logic. Over the 
course of more than 40 novels, his Discworld series evolved into 
something much richer and darker than perhaps even he initially 
expected. Fittingly for someone who spent his final years talking about 
the need for reform in assisted dying legislation, Pratchett's 
best-loved character was Death, an imposing skeleton – who rode a white 
horse called Binky and spoke IN SMALL CAPS... For me, though, the best 
character in the Discworld is Samuel Vimes, the descendant of a 
regicidal ancestor, who ends up as commander of the Watch in the chaotic 
city of Ankh-Morpork. Because Vimes hates authority, the city's 
Machiavellian ruler, the Patrician, keeps giving him more just to annoy 
him. At one point, he wades into a war and tries to arrest both sides 
for 'breach of the peace'. Here was Pratchett's own view of humanity: we 
are endlessly fallible, but usually worth saving..."

http://bit.ly/19mI3oE

A thought-provoking tribute essay by William Hughes at the A. V. Club:

"The only book my local library had was the 19th, Feet Of Clay. I picked 
it up and tore through it in a matter of days.
In hindsight, Feet Of Clay might be the worst possible starting point in 
the entire Discworld series, dense as it is with continuity and a 
complex plot of political intrigue. So it's a testament to Pratchett's 
talents that I was still hooked, telling myself I'd understand all of 
that stuff later and letting myself be sucked in by the jokes and the 
characters and the footnotes and the tone. Especially the tone... It's 
easy to use 'funny' as a dismissive adjective, to give in to the 
knee-jerk reaction to call the Discworld novels 'more' than just funny 
books. But Discworld is great because it's funny, not in spite of it. 
Death's deadpan sarcasm, Bloody Stupid Johnson's increasingly improbable 
inventions, and even poor, cowardly Rincewind — they're all evidence of 
a world that operates under the auspices of a benevolent, funny god. 
It's not that the comedy makes the lessons go down easier. The comedy is 
the lesson. I'm not ashamed to say that my younger self learned many 
things from reading Sir Terry's work, beliefs that I now prize as some 
of the best parts of my self. But that idea, that the world really is a 
good, funny place, is the one I hold closest as I mourn his death..."

http://avc.lu/1EFKv6o

A tribute from Telegraph journalist Kat Brown:

"Terry Pratchett, who has died at the frankly absurd age of 66, was an 
author whose reputation swelled along with his back catalogue. He will 
be so much missed that the millions of people who read, and loved, his 
books will struggle to get their heads around it... Each book in his 
40-strong Discworld series is like taking a life-changing adventure with 
a particularly sarcastic guide. Pratchett wrote more than 70 books, of 
which the Discworld saga was the most famous. He observed the world and 
turned it inside out until the silly could be found, and laughed at. He 
had the most formidable of weapons at his disposal: a cocktail shaker of 
a brain, filled with esoteric knowledge of the sort a crossword compiler 
would envy. From Ancient Egypt to computers, religious fanaticism, 
Hollywood, musical theatre and the industrial revolution, Pratchett's 
references were wide and wonderful... Pratchett's world expanded as your 
mind did. His writing style was inclusive but never patronising, and 
there were secret layers of words, references, jokes to appreciate as 
you grew up and learned more. Thousands of children discovered their 
love of reading in Pratchett, and now their children do the same..."

http://bit.ly/1Em068J

A tribute from Petra Mayer on NPR:

"Pratchett was no stranger to death. The big guy with the scythe and the 
booming voice was a constant and vital presence in the Discworld books 
and their screen adaptations. "HUMAN BEINGS MAKE LIFE SO INTERESTING," 
Death says in Pratchett's 1996 book Hogfather, and while it's Death 
speaking there in his characteristic capitals, that one sentence sums up 
what was marvelous about Pratchett: He found human beings so interesting.

"Few writers were as insightful and just plain good as Pratchett was at 
winkling out all the secret scraps of human nature and then disguising 
them as broad comic fantasy. 'He really had the gift of making fun of 
human foolishness without being cruel,' says fantasy author Delia 
Sherman, who has taught college classes on Pratchett's work. 'He was 
just so compassionate, even to the most horrible of his characters. He 
allowed them to be fully human, even if they were rocks who walked.'... 
After his diagnosis, Pratchett became an inspiration to dementia 
patients and an advocate for physician-assisted suicide for those 
suffering terminal illnesses..."

http://n.pr/1BaEOGm

On the occasion of Pratchett's death, a paean to Pratchett's Death, by 
Matilda Battersby in The Independent:

"If you're going read just one Discworld novel make it Mort. Terry 
Pratchett, who died today aged 66 after a well-documented battle with 
Alzheimer's, was poking fun at death long before he began campaigning 
for assisted suicide. Published in 1987, Mort is the fourth of 
Pratchett's vividly surreal Discworld novels and the first to feature 
death as a main character. In the novel the titular protagonist Mort is 
enlisted as Death's assistant, helping him usher souls into the next 
world. But unlike the cold, stereotypical hooded figure wielding a 
scythe, Pratchett's Death is a haphazard figure who we see embarking on 
the very human experiences of getting drunk, dancing wildly and even 
hankering after happiness. He likes cats. He enjoys curry. Far be it for 
Pratchett to stick reverently to the hackneyed image of the Grim Reaper, 
the novelists' Death dresses up as Father Christmas and displays an 
endearing fascination for the human lives he is helping to extinguish. 
He might yell COWER, BRIEF MORTALS but no-one is hiding behind the sofa..."

http://ind.pn/1xoq6v6

A lovely tribute from Church Broughton Primary School, which staged the 
world premiere of Matthew Holmes' superb adaptation of The Amazing Maurice:

"As news spread around the world about the sad death of author Sir Terry 
Pratchett, there may have been people in South Derbyshire who were 
particularly moved by his loss. Two schools in the district – Church 
Broughton Primary School and St Edward's Catholic Primary School, in 
Swadlincote – were touched by the Discworld writer during his life, 
meaning their pupils had a special knowledge of who he was and what he did.

"The author died on Thursday at the age of 66, following a long fight 
with Alzheimer's disease. He had already been diagnosed with the 
condition when he became involved with St Edward's in 2010 after staff 
wrote to tell him about their book club. Celia Anderson, literacy 
co-ordinator at the school, who ran the club, said: 'It started off with 
the club and we took off from there. We still use the books in school. 
It struck me as such a nice thing to do for these young children, who 
may become future readers.' The following year, Church Broughton Primary 
School staged the world premiere of a musical stage adaptation of his 
The Amazing Maurice and his Educated Rodent. The children's book was 
adapted by Church Broughton musician Matthew Holmes, who had a child at 
the school at the time. He said at the time: 'I've been really overjoyed 
to work on it. He has seen the script and the music, but he hasn't seen 
the final stage production.'..."

http://bit.ly/1LdCMjZ

On Third Sector, a remembrance from Stephen Cook, who undertook and 
finished the Lyke Wake Walk 40 years ago with Pterry and also 
interviewed him in 2011:

"I first met Terry Pratchett in the early 1970s when we completed the 
Lyke Wake Walk, a 40-mile route over the North York Moors said to cover 
paths once used to carry coffins to burial. He was a subeditor on the 
Bath Evening Chronicle, the former workplace of one of the other three 
of us, all reporters at the Telegraph and Argus in Bradford. The walk 
has to be completed within 24 hours if you are to become a 'dirger', 
join the Lyke Wake Club and claim your coffin-embossed tie. We set off 
from Osmotherley at 3 am, talking shop and setting the world to rights. 
By noon, a weary silence had descended. Near the surreal white domes of 
the Fylingdales early warning station, as we rested before the final 
push, Terry delivered a withering denunciation of all hearty outdoor 
activities that would have made a good episode in Discworld. When we 
reached Ravenscar at 1 am we were stumbling and whimpering with fatigue, 
but Terry folded his arms and puffed out his chest for the commemoration 
photo, like an aspiring Royal Marine after his first assault course. 
Only two members of that outing 40 years ago are now still alive. Soon 
afterwards Terry became a press officer for the Central Electricity 
Generating Board ('What leak at a nuclear power station? Oh, that leak 
at a nuclear power station,' as he has joked); and soon after that he 
was a famous author.

"Our paths never crossed again until three and a half years ago, when 
the readers of Third Sector voted him Celebrity Charity Champion in the 
Britain's Most Admired Charity awards. He was already suffering from 
Alzheimer's and donating significant amounts to medical research and a 
range of other charities. He was unable to come to the awards because he 
had a prior date on stage, doing one of his Evenings with Terry 
Pratchett, so a colleague and I went down to his home near Salisbury to 
record an interview we could show at the event..."

http://bit.ly/1F83PrM

 From Arifa Akbar in The Independent:

"When Pratchett revealed to the world that he had Alzheimer's, he did so 
in stalwart fashion, talking about the need to be cheerful, and about 
his own necessity to carry on working as long as he could. He completed 
his last book, a new Discworld novel, only last summer. When he could no 
longer type, he bought voice-sensitive software that did the typing for 
him – he wasn't precious. 'I don't need a special pen to write', he 
said, in a jibe to those authors who demand perfect conditions in which 
to finesse their prose. He had worked as a journalist on the Bucks Free 
Press, in Buckinghamshire, long enough to know how to write on the go, 
in all conditions... I met him in 2012, by which time he had lived with 
Alzheimer's for five years. As someone who lives at close quarters to 
dementia – my father has suffered from the illness for the past 13 years 
– I am well-acquainted with the signs. In our conversation, Pratchett 
was warm, engaging, mischievous and loquacious, only occasionally 
lapsing into pauses that were a just slightly too long, and stumbling 
occasional mid-sentence, so that I couldn't be certain he would carry 
on. But he did carry on, and it was one of my most memorable and 
enjoyable interviews. He told me stories about his childhood love of 
science fiction – how he would have to sneak into a local porn shop in 
High Wycombe because it was only place that sold fantasy books in the 
late 1950s and early 60s. He said – tantalisingly – that he had an 
unfinished memoir – half-written then because he kept getting distracted 
by his fictive universes... We over-ran the hour allotted for our chat. 
'Maybe we'll talk again,' he said, referring to the novels he hoped to 
publish in future. He seemed to be writing voraciously, as if fending 
off the worst through sheer force of creative spirit..."

http://ind.pn/1xoqslw

 From Jennifer Will on Canadian online magazine Macleans:

"I first learned the news through Twitter, with two simple words: The 
end. It arrived from the account shared by Terry Pratchett and his 
assistant, Rob Wilkins. I understood immediately that it meant 
Pratchett, my favourite fantasy author, had died. Pratchett was 
diagnosed with a rare form of early-onset Alzheimer's in 2007, called 
posterior cortical atrophy (PCA). He spoke candidly about his illness, 
donated money to Alzheimer's research and worked with the BBC on a 
two-part documentary called Terry Pratchett: Living With Alzheimer's. 
Pratchett also spoke about wanting to die by assisted suicide before his 
disease progressed too far and made another documentary with the BBC on 
this topic, called Terry Pratchett: Choosing to Die. As it turned out, 
complications of his illness took him in the end... Even though he 
tackled serious issues in his books, he had a wonderful way with words, 
making even the most dire situation lighter, even funny. More than once 
I received strange looks on public transit when I laughed out loud while 
reading one of his books. It was his simple turns of phrase, clever puns 
and astute observations that made the books so special..."

http://www.macleans.ca/culture/books/terry-pratchett/

By Jess Waters in Emertainment Monthly, the online newspaper of 
Boston-based Emerson College:

"Documented forever in the pages of Pratchett's novels are the wit and 
whimsy that made the man so beloved. If you've never read a Pratchett 
novel and aren't sure what all the fuss is about, this is the reason you 
should pick one up. Even if you feel that fantasy isn't your genre or 
that young adult fiction is childish, know that there's nothing immature 
about these books. According to Pratchett in a 2006 interview with 
Science Fiction Weekly, Discworld originated as a way to 'have fun with 
some of the cliches.' Its irreverent and satirical nature has tackled 
everything from war, theocracy, and capitalism, to Conan the Barbarian 
and opera music. Those who know and love Pratchett's work can find 
comfort in returning to it again and again. A good book is not a one-use 
item, and rereading one can be as comforting as visiting an old friend. 
In the same way, a good author is never truly gone — Pratchett will 
continue to make his fans laugh, even through the sadness of his loss, 
for many years to come...

"In summer 2014, for the first time since its inception, Pratchett was 
unable to attend the biennial International Discworld Convention, a 
fan-run event celebrating his Discworld series and other works. 
Pratchett had been the guest-of-honor at the convention (also known as 
DWcon) since it began in 1996. He has also been the guest-of-honor at a 
number of conventions around the world, both dedicated to his work and 
to science fiction and fantasy in general. Pratchett spoke often about 
his fanbase and his love for book tours and the convention circuit — in 
a 1997 interview with January Magazine, he declared that his fans were 
'everything' to him. Despite his absence, the four day convention sold 
out with more than a thousand attendees who gathered for panel 
discussions, craft workshops, gaming, cosplaying and more, all related 
to Pratchett's Discworld series. According to an announcement on its 
website, DWcon 2016 is still on and scheduled to be much the same. Eelco 
Giele, the chairman of the convention, wrote in the announcement that 
'although he will not be joining us in person, in his stories he will be 
with us.' This is exactly the following — those who have devoted their 
time, energy, passion, and efforts — that will keep Pratchett's memory 
alive. DWcon will continue, as will many similar conventions around the 
world, and they will welcome newcomers to share their excitement just as 
much as they provide old-timers with familiar companionship and 
nostalgia... People of many different backgrounds have already written 
dozens of articles and thousands of social media posts have spoken about 
how Pratchett had touched their lives. In his passing, that touch has 
not been erased. Though he may not release any more novels, nor provide 
smart quips in interviews and thoughtful banter at conventions, Death 
cannot truly take Terry Pratchett from the world. His influence has gone 
too deep, his words have spread too far, and the things he most believed 
in — laughter, bravery, community — are the very things he's left in our 
care."

http://bit.ly/1b9KBHk

This moving tribute by Anna Landin on Tumblr made me cry all over again:

"I usually don't get too emotional over the deaths of famous people, but 
I'm a bit of a wreck over this one. I have been reading the works of 
Terry Pratchett since I found Interesting Times on a shelf at the back 
of my local bookstore when I was fourteen. My bookshelf groans under the 
weight of all the Discworld novels, Nanny Ogg's Cookbook, Where's My Cow 
and the Mappes of Discworld and Mrs Bradshaw's Handbook for the 
Ankh-Morpork Hygienic Railway. What I've lost now is not just the source 
of great books and entertainment; it feels almost like I've lost a 
distant grandfather. So this is for him.

"Thank you, Mr Pratchett, for a flat world on the backs of four 
elephants, travelling through space on the back of a turtle – a world 
that was somehow more than the sum of its parts. Thank you for 
incompetent, potato-obsessed wizzards. Thank you for sentient pear-wood 
and many-legged Luggages. Thank you for unwilling rightful heirs, for 
burping swamp dragons, for vicious elves and feet of clay. Thank you for 
hot-headed dwarfs, for troll-gangsters, for moving pictures and Music 
With Rocks In. Thank you for witches. Thank you for Magrat Garlick, for 
Agnes Nitt of the fabulous hair and great personality; for Tiffany 
Aching and her frying pan and fierce will to save herself; for Nanny 
Ogg. For Granny Weatherwax.

"Thank you for the Night Watch, for Vetinari, for Rufus Drumknott; for 
the Truth that Shall Make Me Frep – for Dibbler and Harga's House of 
Ribs, for secret brotherhoods and snooty Assassins and thieves and 
ladies of negotiable affection; thank you for Vimes. Thank you for 
Angua, for Sergeant Colon, for Nobby Nobbs, for Carrot and Rob and A.E 
Pessimal. Thank you for Ankh-Morpork. Thank you for cross-dressing 
soldiers. Thank you for Small Gods. Thank you for Anoia, Goddess of 
Things That Stick In Drawers. Thank you for printing presses, railways, 
postage stamps, clacks-towers and Royal Mints. Thank you for golems. 
Thank you for Anghammarad. Thank you for the Silver Horde. Thank you for 
Cohen the Barbarian, for Old Vincent, for Boy Willie, Mad Hamish and 
Truckle the Uncivil. Thank you for Binky, for Mort and Ysabell and 
Albert and for Susan Sto Helit.

"Thank you for the fierce humanity of your writing. Thank you for hiding 
a voice of social awareness, of reason and compassion beneath the layers 
of loving parody. Thank you for Vimes' Boots Theory of Socio-Economics.

"Thank you. Morituri Nolumus Mori, but some of us do all the same.

"I may sometimes wonder if what I do – the stories I try to tell – are 
worth it; if there's any point at all, when there are so many other 
important things one can do – but then I find myself sitting here crying 
over a man I have never met, and now never will, simply for the stories 
he has given me. Words matter, as do the stories they tell."

A heartfelt thank-you tribute from Galenwolf on Reddit:

"I'm dyslexic and grew with a loathing of the English Language, it would 
never sit still or make any damn sense. I swore off reading unless it 
was absolutely necessary. One year I saw Soul Music on TV one Christmas 
and thought it was great, I saw Wyrd Sisters the next year and wondered 
who this Terry was and if he had any more stories. That was that for a 
while until one day I was in, I believe, W H Smiths and saw his books. 
On a whim picked it up Deaths Trilogy an bought it as it had Soul Music 
in it, the first book I had ever bought. Within months I had devoured 
more books than I had in my entire life, and more followed soon after. 
Terry made me love the language I once hated and fired up a passion in 
me that's lead me to have my own library full of worlds I have come to 
love. R.I.P Terry, thank you."

Also on Reddit, a deeply respectful bit of fanfiction by 
dwellerWorcestershireish:

"Death looked, insofar as it was possible for a skeletal figure to look 
anything, a touch overexcited. 'THIS IS THE FIRST DAY OF THE REST OF 
YOUR DEATH. I'VE BEEN WAITING TO SAY THAT.' He added. 'FOR SOME TIME.'

"'Er. Yes. Very nice. Are you just here for me?'

"'I'M HERE FOR EVERYONE.' When the man looked a touch disappointed he 
added 'BUT ESPECIALLY YOU. YOU MADE IT EASIER FOR LOTS OF PEOPLE. ALSO 
FOR ME. HARDLY ANYONE COMPLAINS. THANK YOU.' He leaned in, and down, 
conspiratorially. 'I REALLY ENJOYED THE ONE WITH THE POST OFFICE. VERY 
AMUSING. NOT ENOUGH ME, THOUGH.'

"'Aha. Yes. I liked that one too. Um... so what happens now?'

"Death squirmed. It looked exactly like a human squirm. 'I WONDERED... 
IF YOU COULD SIGN THIS FOR ME?' White bony fingers held out a fat 
paperback book. With no surprise at all, the man read the title. Mort. 
'Do you have a pen?' Death fumbled in his robes for a moment and with a 
flourish, drew out a quill, a bead of ink ripening at the end.

"The man took it gingerly, opened the book and, trying not to blot, went 
about the business of constructing sentences with his old fluid ease. 
'To our dear friend Death, for all the times you've showed up, and all 
the times you didn't. Your pal, humanity.' He swirled off his signature 
at the end, marvelling at the way it had come with him through the fog. 
You knew you were you when you signed your name. "'And now...?'

"'ER. THERE MIGHT BE ONE OR TWO MORE PEOPLE WHO WANT TO MEET YOU.' Death 
now managed to look sheepish. It was clever, really, how he'd mastered 
such complex human emotions as embarrassment. 'THEY ALL KEPT ASKING ME 
IF I KNEW YOU.' He shuffled, and even managed a small cough. 'ER... 
YOU'LL BE NEEDING THE QUILL.'"

 From Graeme Neill in The Guardian:

"One solace for devotees like me was the multitude of people who came 
forward and said they loved his Discworld. Even though Pratchett was the 
bestselling author of the 1990s, it still came as a pleasant surprise 
that he meant so much to so many... Since October, I have been reading 
Pratchett almost exclusively, and I have found out that my younger self 
had decent taste in books. When I first picked them up in the early 90s, 
I was attracted by the humour, the inspired puns, the fantastical and 
apocalyptic nature of the books (four of Pratchett's first five 
Discworld novels have a world-ending threat), and the sense that I was 
reading something a bit adult... His books are fuelled by a deep-seated 
moral anger about the stupid things humans do: Pratchett was so furious 
because he was adamant we are all capable of so much more. His Watch 
novels deployed trolls and trans dwarves to rail against racism and 
social constraints, but did so by showing how we all have some degree of 
prejudice. By placing the tyrannical genius Havelock Vetinari, one part 
Steve Jobs to two parts Lex Luthor, as head of the city of Ankh-Morpork, 
Pratchett challenged us to embrace a dictator. And we do, because he 
makes the city work. Vetinari is my favourite Discworld character. I 
worry what this says about me...

"Above all, what Pratchett gave us is a 40-book love letter to reading. 
Stories are what the Discworld were built on, with his characters using 
them to explain the chaos of the world. While embracing storytelling, he 
also showed us its limitations. He was critical of characters who don't 
live in the real world, but also showed how stories help us get one step 
closer to understanding..."

http://bit.ly/1HTPgrH

 From Ben Pobjie on junkee.com:

"Being human was a central concern of Pratchett. Has anyone managed to 
write with such biting humour, such raucous absurdity, while 
simultaneously infusing every page with a warm, big-hearted humanity 
that never left any doubt in the reader’s mind that they, the author, 
and everyone else were together on this weird, tangled journey called 
life? To be a human being is to be a big awkward mess, and Pratchett 
made it his mission to get us all to embrace that, to laugh at it, and 
to love it... Few writers could weave Pythonesque comedy, quicksilver 
satire and hoary puns together with heartfelt emotion and true dramatic 
tension so deftly – few would even try. But Terry Pratchett had an 
astonishing ability to make the story silly and real at the same time. 
The Patrician of Ankh-Morpork is called Vetinari – named for a throwaway 
pun and still as indelible and fascinating a character as was ever 
committed to the annals of fantasy. Never did Pratchett allow himself to 
believe that fun was incompatible with meaning.

"And meaning he brought to us. It wasn’t necessary to see the response 
to his passing for me to know I was far from alone in feeling that Terry 
Pratchett changed my life. As a writer, certainly: his wizardly way with 
words, his razor-edged yet generous humour, his light, precise touch, 
all inspired me creatively and pushed me to strive for that rarefied 
level of expression. Pratchett runs inevitably through everything I 
write; all that I create carries a little of him with it, and I cannot 
sufficiently convey how grateful I am to him for that.

"But more: he changed me – and millions of others – as human beings. He 
was our company when we felt most alone, a comfort in distress, a font 
of wisdom and laughter at times when we were most desperately in need of 
both. His characters were friends, his manic Discworld a destination to 
head for whenever we needed reminding that our own world was stupid, 
hilarious, frustrating...but also, every now and then glorious – for a 
world that produced Terry Pratchett must be so. In the sad, often 
intolerable procession of life, the population of Discworld endured, and 
found joy, and we knew we could do the same..."

http://bit.ly/1BATNgx

By Jim Cook, columnist for the Dothan Eagle in Alabama:

"One of the worst things about getting older is watching your heroes 
die. People who inspired you. People who made you think or feel. People 
who made you want to do something or be something... Like the best 
humorists, Pratchett taught while he amused. Fantasy and speculative 
fiction give authors leeway to handle thorny issues of race, religion, 
class and equality that would trigger Twitter outrage death spirals if 
broached in conventional fiction. Couching your criticisms of various 
human foolishness on a flat world held aloft by four giant elephants 
standing atop of an enormous spacefaring turtle helps to keep the 
reading public from getting their knickers in a twist. Pratchett was a 
master of gently pointing out the various foibles and failings of the 
human condition. While his satire could be sharp, it was always 
delivered in the tones of a teacher gently correcting his students... It 
hurts to think of all the stories that will be left untold by 
Pratchett’s passing, but I’m grateful for the ones he left us."

http://bit.ly/1Fqe2Al

...and last but certainly not least – in the Bucks Free Press (Sir 
Pterry's former place of work), a tribute from John Hampden Grammar 
School in High Wycombe (formerly Wycombe Technical High School, 
Pratchett's place of education from 1959 to 1965), which includes a 
photo of Pratchett as a schoolboy:

A High Wycombe grammar school has paid tribute to 'inspirational' former 
student Sir Terry Pratchett and announced plans to honour his life by 
raising money to fund research into Alzheimer's disease... Assistant 
headteacher Andy Wright said the 66-year-old former Bucks Free Press 
reporter's legacy will continue to be long-lasting and added that they 
are currently looking into re-naming their school library after him. Mr 
Wright said: 'He's one of the most inspirational characters to come from 
this area and his work has influenced a number of others. Many who knew 
him or met him in the past have been sharing their stories and memories 
in the last day. Over the years he was very supportive of the school and 
has on a number of occasions been back here to look around and talk to 
students. He's been described a lot as a nondescript student, but I 
think to say this truly downplays his time at the school where he was a 
key figure in our debating society and also wrote stories for our school 
magazine. Our school debating society was even named after him and when 
we asked for his permission to do this he found it ironic because during 
his time here, debating was not a subject the headmaster wanted students 
to take part in.' He added: 'We are hoping to do what we can to honour 
his life in the right way and are looking at possibly republishing some 
of his old work and put profits towards research into Alzheimer's 
disease. We would also like to speak to his estate about renaming our 
library after him – we have a big section already dedicated to him and 
his books remain the most borrowed.'..."

http://bit.ly/1HTPiQn

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

05) MY FATHER, BY RHIANNA PRATCHETT

An interview The Telegraph, published 15th March 2015:

"One of Rhianna Pratchett's most cherished early memories is of tucking 
herself 'like a human hot-water bottle' at her father's back in the big 
chair in his study, 'peering out from behind him' as he played computer 
games. The year was 1982 and Rhianna was six. Her father, Terry, was a 
young science-fiction writer who would the following year publish The 
Colour of Magic, the first in the bestselling Discworld series that 
would see him become one of Britain's most successful authors, second 
only to J K Rowling. Those hours spent in front of the computer with her 
father had a lasting impact on Rhianna, who went on to become a 
successful writer of video games, known for her work on Tomb Raider, 
Heavenly Sword and Mirror's Edge. 'I was interested in what my dad was 
interested in – robotics, gadgets and computers,' she says. 'I thought 
that fighting aliens and robots was something that girls did as well as 
boys, so I found a way of doing that for a living.'

"And now, following her father's untimely death at the age of 66, she 
has another role: guardian of Discworld – the fantastical, hilarious, 
endlessly surprising milieu that Sir Terry devised. It is loved by 
millions the world over, from children who delight in the daft humour 
and silly puns to academics who relish the sharp satire and social 
critiques (there is at least one serious philosophical volume examining 
the epistemological and existential implications of the novels). Sir 
Terry announced in 2012 that he would be leaving the intellectual rights 
for Discworld to Rhianna, and father and daughter launched the 
multimedia production company Narrativia to retain exclusive rights to 
his work across all platforms. With sales of tens of millions of books 
worldwide, it is a massive empire. 'My role will be to protect the brand 
that Dad has established,' she says. 'I will steer Discworld. I will be 
a caretaker and look after how it's used and adapted.'

"For Rhianna, who announced Sir Terry's passing on Twitter in the voice 
of Death, one of his best-loved characters, her father was always a 
kindred spirit. They shared, she says, the same imagination, a sense of 
impatience and a fondness for witty sarcasm. 'I just always 'got' Dad,' 
she says. 'He always had this desire to share experiences; it was the 
way he was brought up himself, so he would talk to me as if I was on his 
level and he made a literary confidante of me pretty early on. Dad was 
like a druid: he taught me how to build watermills in the stream, the 
names of plants and flowers, and what was edible in nature. It was like 
growing up in Middle Earth and having a full‑sized hobbit for a father.' 
She recalls when she was very young being woken by him in the middle of 
the night, wrapped in a blanket, and taken outside to see the glow-worms 
in the hedge. 'He felt it was more important that I experienced the 
wonders of the world than got a good night's sleep,' she says...

"Last week Rhianna tweeted a picture of herself with her father, saying 
'Miss you already'. It's a sentiment shared by millions."

http://bit.ly/1CisfzW

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

06) SENDING HOME: IMMORTALITY BY ROUNDWORLD CLACKS

Remember the Smoking GNU, the trio of slightly mad tech geniuses who 
helped Moist in Going Postal? Now our own Roundworld version of the 
Clacks can contribute to keeping Terry Pratchett's name forever in the 
Overhead. On the Discworld's Clacks, G stands for a message that goes 
on, N for not logged, and U means the message is turned around at the 
end of the line. Cory Doctorow tells us how to "GNU Terry Pratchett" 
with HTTP headers:

"In Terry Pratchett's novel Going Postal, an allegory about the creation 
of an Internet-like telegraph system called 'the clacks,' workers who 
die in the line of duty have their names 'sent home,' by being 
transmitted up and down the line in the system's signalling layer ('A 
man is not dead while his name is still spoken'). GNU Terry Pratchett, 
which works with both Apache and Nginx, causes web-servers to transmit a 
special 'X-Clacks-Overhead' header, reading, 'GNU Terry Pratchett,' so 
that Terry's name lives on in the Internet's 'overhead' forever."

For examples of how to do it (if you are already sysadmin-savvy), go to 
http://www.gnuterrypratchett.com/

If "sysadmin-savvy" isn't how you'd describe yourself but you know a 
friend or relative or co-worker who might be willing to put GNU Terry 
Pratchett on their Hex, have a word with your local Technomancer. And 
remember – Sending Home is invisible to us mere mortals, but it will 
always be there. In the Overhead. Remembering Pterry, forever, so long 
as our Roundworld Clacks goes on.

Here is the Reddit thread where GNU Terry Pratchett started:

http://np.reddit.com/r/discworld/comments/2yt9j6/gnu_terry_pratchett/cpcvz46

On Wired:

"When Discworld creator Sir Terry Pratchett passed away last week, a 
tremendous sense of loss rippled through his dedicated fanbase. Now, a 
group of those fans are turning to code in an effort to keep the author 
alive. It all started as an endearing tribute, drawing on one of 
Pratchett's best-loved books, 2004's Going Postal.... But where the book 
had 'GNU John Dearheart' – the prefix being a basic code to instruct 
clacksmen to pass on, not file, and return the message – the internet 
gives us GNU Terry Pratchett... Developers have been coming up with 
further tweaks, with ways to include the subtle memorial into everything 
from Java and Wordpress, to invisible Gmail signatures. Reddit user 
SillySosis even posted a Chrome extension to Github, which displays an 
icon in the browser's address bar when a site with the code embedded 
somewhere in its digital nethers is loaded..."

www.wired.co.uk/news/archive/2015-03/16/terry-pratchett-code-memorial

On Gizmodo:

"Modifications to HTTP headers are seeding an unseeable tech memorial to 
everyone's favourite fantasy author, with the message 'GNU Terry 
Pratchett' being added to web server headers in memory of the late 
writer. The idea copies the concept Pratchett introduced in his books, 
where a message was sent around communication lines as an aid to 
remember a passed relative... If you have access to the complicated bits 
that go along with having a web presence outside of a sparsely updated 
Twitter feed and some dog photos on Facebook, everything you need to add 
your echo to the chorus can be found on the GNU Terry Pratchett site, 
with the change as simple as adding a line of code to the .htaccess file 
if you've got a server that runs on Apache..."

http://bit.ly/1wS6Knb

Editor's note: Wossname's own Hex has been modified. So every time you 
look at the original Wossname site, you are helping Send him Home.

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

07) DONATIONS TO RICE CENTRE

The Research Institute for the Care of Older People


Alison Flood in The Guardian:

"Pratchett died at home on Thursday, aged 66, 'with his cat sleeping on 
his bed, surrounded by his family', said his publishers, Transworld. His 
publicist, Lynsey Dalladay, set up an appeal shortly afterwards, and by 
lunchtime on Friday more than 1,600 people had donated £28,053 to the 
charity The Research Institute for the Care of Older People (Rice). The 
charity was chosen by Pratchett's family and by his long-term assistant, 
Rob Wilkins...

"Messages from those donating ranged from quotes from Pratchett's more 
than 40 novels – such as: 'No one is finally dead until the ripples they 
cause in the world die away' – to outpourings of gratitude for what the 
author has meant to his fans. 'Thank you for Tiffany Aching and all the 
characters that are part of my world. 'Stop stealing the funeral meats 
right now, you wee scuggers!',' wrote one donor. 'The Night Watch 
salutes you Sir,' wrote another. 'There will be a little less laughter 
on the Roundworld without you,' said a third.

"'The outpouring of love for Terry and his books has been completely 
amazing and we're all overwhelmed,' said Dalladay this morning. 'It is 
completely heartbreaking to think Terry is no longer here, he was such a 
force in all our lives.'... Professor Roy Jones, director of Rice, said 
the charity had been unaware of the JustGiving page until 'money started 
to appear unexpectedly'. 'Clearly it's a tribute to him,' Jones said 
this morning. 'People want to donate, and we're getting money in euros 
and dollars and pounds. Terry and his family knew we were trying to 
expand our research programme, and that they decided it should be us is 
very generous.' Jones, who met Pratchett in 2008, said the author was 'a 
character – not a typical patient in many ways', and paid tribute to the 
way he managed to change the public conversation about Alzheimer's and 
dementia more broadly. 'He has really set a marker,' he said. 'He was 
relatively shy in many ways. He didn't necessarily seek a lot of 
publicity before his diagnosis, but he faced up to his diagnosis by 
saying he was going to talk about it openly. He may not have realised 
how much his message was going to take off; that people would be 
surprised that someone of his profile would speak out.'

"George RR Martin posted a tribute to the writer on his blog, echoing 
the feelings of many when he wrote: 'Terry Pratchett is gone, and the 
world of fantasy is that much poorer this morning.' Martin continued: 'I 
cannot claim to have known Terry well, but I ran into him at dozens of 
conventions over the decades, shared a stage with him a few times, and 
once or twice had the privilege of sharing a pint or a curry. He was 
always a delight. A bright, funny, insightful, warm, and kindly man, a 
man of infinite patience, a man who truly knew how to enjoy life ... and 
books.'..."

http://bit.ly/1FdAzzZ


Editor's note: as of this afternoon, £38,451.29 has been raised. Do keep 
the donations going. Consider it a form of thank-you to the man whose 
words brightened – and often profoundly changed – our lives.

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

08) IMAGES

The Ankh-Morpork flag, flying at half-mast from the Wincanton Town Hall:
http://bit.ly/1Ch2KNI

Paul Kidby's drawing of Sir Pterry accompanied by three of his most 
cherished creations – Errol, Rob Anybody and Sardines of the Clan:
http://bit.ly/1BxQY0Q

Randall Munroe's timely tribute on xkcd:
http://xkcd.com/1498/

The Independent's gallery, "Terry Pratchett: a career in pictures":
http://ind.pn/1EOvUWs

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

09) CLOSE

And then there was the petition...

"Thousands of fans of the great fantasy author Sir Terry Pratchett have 
signed a petition to bring him back from the dead. The Discworld author, 
who died aged 66 after a long battle with early onset Alzheimer's, 
featured the character 'Death' in almost all of his 40 Discworld novels. 
Pratchett's Death was not your stereotypical Grim Reaper, but was 
instead an irreverent portrayal who – featuring heavily in 1987 novel 
Mort – had a fondness for cats, enjoyed curry and spoke LIKE THIS. A 
change.org petition has been signed by more than 6,600 supporters since 
it launched last night. The petition's founder, Tom Pride, set it up 
'because Terry Pratchett said 'There are times in life when people must 
know when not to let go.'...

http://ind.pn/1AlxTLm

And to finish, here is the link to an interview with Neil Gaiman talking 
about the loss of his friend and collaborator – and more importantly, 
about their friendship and the creative process they shared through the 
years, told in a delightful way. It's 35 minutes long and every moment 
is worth it, even his often understandably emotional reading of a long 
extract from Good Omens. And the anecdote, which starts around the 25 
minute mark, about a very funny incident on their Good Omens tour, will 
surely bring on happy tears:

https://www.youtube.com/watch?v=CPBetz7p3fQ

...and a final quote for now:

"The ripples continue to spread. I just spoke to a friend of mine, also 
a fan. She visited Taronga Zoo (Sydney, Australia) on the weekend. 
Propped up by the Orang Utan enclosure she saw an 'In Sympathy' card. 
Unable to resist curiosity, she peeked inside. One word: 'ook"'. In her 
own words, she collapsed into a quivering puddle of tears on the spot."
–Craig Williams, on FacebOook

And the show will go on...

– Annie Mac

Remember, the mirror version of this issue can be viewed at 
http://wossname.dreamwidth.org/8489.html

ooooooooooooooooooooooooooooooooooooooooooooooooooo

The End. If you have any questions or requests, write: wossname-owner 
(at) pearwood (dot) info

———————————————————————————————————
Copyright (c) 2015 by Klatchian Foreign Legion